The first time I heard the sound of Aimee Mann’s voice was on the television. It was on Buffy the Vampire Slayer. The episode titled "Sleeper" featured Aimee as a guest musician at the famed, fictional hangout The Bronze. Buffy was famous for bringing in real, sometimes established musicians to play on the show. Aimee, however, had a speaking role too. She played the songs "This is How it Goes" and "Pavlov’s Bell" from her 2002 album Lost In Space. Her line? "Man, I hate playing vampire towns."
Read MoreThe Spookiness & Nostalgia of Loreena McKennitt & Halloween
On a brisk December evening in the early 90s, my aunt took me and two of my cousins to stand in a stranger’s yard in rural Maryland and sing to a dead tree.
Read MoreA Witchy Music Playlist to Motivate You
Joanna C. Valente is the author of Sirs & Madams, The Gods Are Dead, Marys of the Sea, Xenos, and the editor of A Shadow Map: An Anthology by Survivors of Sexual Assault.
Read MoreDepeche Mode Gets Political
Depeche Mode really get it. With their latest, and 14th studio album Spirit, they go back to their goth punk roots and get political. This comes at a time where we need to be political, both with what we say and definitely with how we act. The album is a clear reaction to Trump and Brexit, especially with their song "Where's the Revolution?"
Read More9 Lust for Life Observations from the Ultimate Lana Del Rey Fan
Oh dear Lana, what have I gotten myself into here?
Read More3 Poems by Alexandra Naughton — My Posey Taste Like: The Paradise Lost Edition
ALEXANDRA NAUGHTON
Alexandra Naughton's My Posey Taste Like: The Paradise Lost Edition (Bottlecap Press, 2017) includes poems from the original, highly-acclaimed collection My Posey Taste Like (Bottlecap Press, 2015) plus ten new poems. Watch this video.
maybe i don’t deserve it but i’m tired. i would like to just stop. i don’t really know what that means and i also feel the exact opposite. like i would just like to go. because maybe i don’t deserve it. so i go any where. i like feeling night time on my skin wandering but going some where it doesn’t matter why any thing can be an adventure when you let it and i let it, and it pulls me forward by invisible strings keeping the radio perfect to keep the momentum just right and i’m not even thinking any more just being part of an other body an other calling an other way to worship. and then when it feels right to stop. and then curling up to rest.
**
peeing in your shower when you’re not looking and drowning in self importance. later you’re underlining how little I mean to you, tracing fingers back and forth in the carpeting for emphasis. i’m propped up on pillows and yawning like i’ve waited for this moment all weekend. our similarities can only go so far, sing so much harmony. the difference between a poem and just something you wrote is just not saying something completely fucking ordinary, it’s how you say it too.
**
my posey taste like soiled tablecloths in a hamper heap. paradise lost or a parasite, lost. let the puppy lick your hand and quit being such a killjoy. touching myself in the mirror like this is the best i can do. i’m not wasting time, i’m not looking for any thing except what i can devour. straddling you on an apartment building rooftop watching the sun go down and drinking from cold glasses. i will take apart your face to find the morsels i like most, taking big bites from the sides like a dad with his kid’s ice cream cone because it’s melting. this is what love is, you say, peeling back my sweaty spousebeater to scream into my skin, my stains. every thing you do i just absorb you. staying so damn quit it makes you madder and i just take you in.
Alexandra Naughton is editor in chief of @baipress in California. Her first novel, American Mary, was published by Civil Coping Mechanisms in March 2016 . She’s a Libra. Follow her on twitter: @thetsaritsa
Overcoats’ YOUNG and Turning Inward Toward Your Stories
There is something enthralling about a song that deceives you. A first listen can prompt upbeat head-bobbing in the car or prancing around your room, but on a second or third reflection, you detect a sadness, fear, or anxiety in the lyrics that wasn’t apparent at first. This was my experience listening to YOUNG, Overcoats’ debut album.
Read MoreJams and Fashion: Music Videos from the Summer of '97
The summer of 1997 was immense for women in R&B and Hip-Hop...
Read MoreThe Ultimate List of '80s Music Rarities You Should Know
I love all music, but if I'd have to choose a favorite decade in the music scene, it would undoubtedly be the 80s—a time I wish I was transported to right now. My heart just skips a beat whenever a new wave song comes on the radio, my whole body boils with passion and energy when I hear an 80s album remixed beautifully. And so, I created a listicle—albeit abridged—of some of my beloved musical artists with lesser known songs that are nonetheless deliciously tuneful and timeless, with a bit of a background on my favorite genres—gothic rock and new wave.
Read More10 Songs You Will Love If You're a Lana Del Rey Fan (That Aren't By LDR)
Nadia Gerassimenko is the assistant editor at Luna Luna Magazine by day, a moonchild and poet by night. Nadia self-published her first poetry collection "Moonchild Dreams" (2015) and hopes to republish it traditionally. She's currently working on her second chapbook, "at the water's edge." Visit her at tepidautumn.net or tweet her at @tepidautumn.
Read MoreA Visual Diary of Iranian-Dutch Singer-Songwriter & Multi-Mediaist, Sevdaliza
I immediately became engrossed with her trip-hop and R&B sound that is reminiscent of artists like Tricky, Massive Attack, and Portishead. The visually surreal magic of her videos is dark, ethereal, melancholy, evocative, and seductive. One can’t help think of Björk when watching the filmic narrative of the songs on screen with Sevdaliza’s opulent and Giger-esque biomechanical body in “Marilyn Monroe” or the erotic centauress in “Human.”
Read MoreA Mixtape for When the World Overwhelms You
When it seems that nothing's going right and the world is just too heavy just too much, this mixtape may be the answer and the gateway for your escapade. And when you feel the enchantment of the ambience and the other-worldliness, feel this world closing in and opening a portal to another dimension, feel it calling and echoing for you, to escape...even just for a little bit.
Read MoreThis Dreamy Retro Playlist Is Everything You Need Right Now
We could all stand to surround ourselves with love more. There's really no better time to foster the relationships with the people around you than during times of strife and turmoil, both personal and political (and isn't the political always personal?). To get you in the mood, here's a playlist full of some of the best love songs around.
Read MoreA Dark & Moody Playlist to Get Your Creativity Flowing
I often write to music. I find music helps set a tone and atmosphere that is hard to do on my own, especially if I'm in a public space like a coffee shop (and I often am). Here's a playlist that helps get me in the mood to write/make art:
Read MoreWhat You Mean When You Say Lady Gaga Has a Belly
BY LISA MARIE BASILE
When you say that "Lady Gaga has a tummy," you're saying so much more than that. And I think you know it. First, let's just get the obvious out of the way: she's not overweight and she doesn't have a tummy. (Also, it would be 100% OK if she did). Bear in mind we did this with Beyoncé as well, whose body seems very much to be something people continuously feel they have a right to comment on. If we're holding legitimately straight-sized women to such an impossible standard — what does it mean for women who are a size 6, 8, 12, 16, 22 or so forth? According to Refinery 29, the average woman or 67% of the population, is size 14 or larger. And what's more is that we're doing it to ourselves. #MindBlown.
So, when you say these things, you're actually saying:
1. I am disregarding the millions of people who are considered plus-size or "fat," and who are shamed day in and out because of it. You are disregarding the struggle that millions of people face by using language that encourages hate. Especially when you target someone who very literally benefits from the privilege of being considered thin and beautiful 99% of the time (except, apparently, during the Superbowl or when she happens to gain a few pounds, as humans do). Not to mention, you're disregarding the many people (including Gaga) who have developed disordered eating as a result of this social shaming.
2. I am assuming that having fat or being a plus size person is bad. When you ridicule someone for having a tummy, you're assuming that tummies automatically bad. Guess what? Skin is skin. A tummy is a tummy. You can be big or small, fit or unhealthy, tall or short — and still have a belly.
3. I am alienating the millions of women who are mothers or who have a post-baby body. News alert. Having a baby stretches your skin! What do you think women are dealing with post-partum body changes think and feel when this detritis gets published all over the Internet? Most of the people attacking Gaga's body are women, including mothers. What do you think your message sounds like to them? Regardless of whether or not Gaga has a belly (she doesn't, it's called skin and tight shorts), you're basically saying, "anyone who has THAT isn't good enough."
4. I am commenting on her appearance rather than commenting on her work as an artist, which means that I am furthering the idea that women are just objects. Whether or not you thought Gaga's performance at the Superbowl was political enough or not doesn't matter. She's an award-winning artist who trains and works hard to put on her stage shows, she actually can sing, and she's taken a lot of risks in her career. Whatever you think about her, at least acknowledge the foundational facts before jumping right ahead with your vapid opinions. You may struggle with ridding yourself of the ideological garbage Patriarchal society has pumped straight into your veins, so it might be hard not to judge a woman by her looks. After all, you've been conditioned to do so. But if you think it and then correct yourself — and then take the time to figure out why you're thinking these things, that's very different from posting a status that says, "Just watched Lady Gaga's performance. She has a belly!" Keep that shit to yourself.
5. I am disregarding the power of fitness. Your size doesn't always indicate your ability to dance, move, stretch or perform crazy stage shows that require insane amounts of strength or cardio ability. So when you judge someone on their non-existent tummy while they're dancing and running and jumping, you're choosing to disregard the amazing feat that is happening so you can comment on something so completely inconsequential.
6. I am contributing to social illness. Look, you're part of the problem. I know it hurts to hear it, but women — especially minority women, like Beyoncé, who dealt with this before Gaga — are constantly at a disadvantage. They are consistently questioned about their bodies, confronted about weight gain and reduced to slabs of meat. Don't contribute to that. Women have it hard enough. Be an ally.
7. I am judging myself. When we spread hate about other people, we are usually doing so from a center of internalized pain. That isn't the sort of pain that wins you sympathy. That's a sickness, and it needs to be eliminated. Whatever your fears, failings or self-esteem issues are, you don't need to project them onto others. You can deal with that on your own time. It's not always easy, and no one is perfect — but you have to start somewhere.
Lisa Marie Basile is the author of Apocryphal (Noctuary Press) and a few chapbooks, including Andalucia (Poetry Society of New York) and war/lock (Hyacinth Girl Press). She’s the editor-in-chief of Luna Luna Magazine. Her work has been published in Best Small Fictions, Tarpaulin Sky, Spork Press, The Atlas Review, PANK, The Rumpus, Huffington Post, the Tin House blog and Ampersand Review. Some of her work can be seen in Greatist, Marie Claire, Hello Giggles, Bustle and more.