Kailey Tedesco lives in the Lehigh Valley with her husband and many pets. She is the author of She Used to be on a Milk Carton (April Gloaming Publishing), Lizzie, Speak (White Stag Publishing), and These Ghosts of Mine, Siamese (Dancing Girl Press). She is a senior editor for Luna Luna Magazine and a co-curator for Philly's A Witch's Craft reading series. Currently, she teaches courses on literature and writing at Moravian College and Northampton Community College. For further information, please follow @kaileytedesco.
Read MoreWhat if the earth is asking us to be still?
BY LISA MARIE BASILE
Tune in with me.
I think about the people who will populate our future, and I ask the sky what they will see, what they will be told — through our actions and words and hunger. Will we become their ancient gods, whose lessons are bleak and hellish? Will they see how hard many of us tried and how we hoped?
Will our mythos be of hyper-consumerism, racism, lovers who are not allowed to love, bodies put into categories, plastic, the poisoned fruit, the unbearable dullness of constant performance, the addiction to the avatar, the plutocracy, the oceans crying into themselves, the sound of the air cracking against the ozone? Will all of our wounds still be present?
When I think of the people of the ancient worlds — and their gods and their cultures and their arts — I wonder what they would have wanted us to know?
Did they hope to impart a message of beauty, art, and nature? Of storytelling and culture?
Did they think we would destroy one another and the earth they danced upon in worship?
What happens to everything when we sit in the sea? Do we become a primal beautiful thing?
There is a presence that is being asked of us. Do we hear its sound? Are we the people who tolerate abuse? Are we the zombies of decadence, the digital void that consumes and hungers through screens? What if we were embodied for a day? Would we hear the great chambers of our heart, and the hearts of strangers, and the vines and sea beings we came from?
There is a constant scrolling and feeding. And it’s because we are hurting. We are disconnected. We are oppressed. We are poor. We are sick. We are not seen by society. We feel lonely, a loneliness perpetuated by hyper-connection.
How else do we live without turning to the void, which provides us beautiful and loud things to buy and be and shape ourselves into?
How do we live without abusing our neighbor, without stomping on their chest?
What if we could remember ourselves? How miraculous we are? Would we remember to be generous, to heal, to say hello? What would it look like if we all stopped pushing for a moment? What if we let the wind move us?
I feel sometimes I am a ghost. Liminal, floating through the world, eating the world around me — media and fashion and ideas that are not my own, not aligned with my values or my traumas or my soul.
I am out of time with my own soul. I am in 2020, but my heart is in the ocean eternal. I want wind and shorelines. I want fairness and justice. I want to experience beauty without the billboards looming. I want to read a book in the sunlight, and see my neighbor have the same opportunity.
But my neighbors — and your neighbors — are dying, are being murdered, and our ecosystems are gasping in our wake.
There are days that are so beautiful, so soft and real, that I have hope. These are holy days.
In Campania Italy, I have a holy day. I sit in a small stone pool. I think of the drive through the mountains from Napoli, where Pompeii stands, its breath held, looming over its land. How it preserved the stories of its people. I think always of what is preserved, what is lost.
But in the little pool, I am alone. The bed and breakfast is quiet. Tourists are out at Capri or Amalfi, the staff are napping during siesta, making pesto, somewhere else paying bills, talking on phones. I hear the hum of a generator, street dogs barking, the starlings that fly over me back and forth, definitely flirting.
I whistle and they zip over my head. We are in conversation, I know it. The earth wants me to know it sees me, wants me to see it. I am here and nowhere else. I am completely alive. I am made for this moment; we all are.
And after the late dinners of fried fish, I walk back to my room, alone. I am greeted again by the tiny birds who flutter in and out of the domed entrance, cherubs painted across the ceiling. I think of time and nature, and its concurrent obliviousness and suffering. I think of my privilege, and what I can do to preserve these stunning things.
I think of my body withstanding 100-degree heat. How I talk to the creatures in some liminal language of love. I think of how we could all be good to one another, so good that we could all have holy days.
I think of my flesh as the wine of this land. I feel the Mediterranean and the Tyrrhenian Seas in the palms of my hands. I am so alive and grateful and awake at the altar of these moments I cry for the nostalgia that hasn’t come yet, that I know I will feel. That I do feel. I am both past and present. But mostly, I am now.
I walk up the road to a farm and am greeted by a family whose hands have nurtured and translated the earth for centuries. They climb the trees, show us the olives falling. We see the farm cats idle in their sunlight, their fur dotted in soil. They are languid in pleasure and warmth.
I lose myself in the lemon trees, smell their peels; I am blessed. I step into the cool room where they keep the jugs of Montepulciano and cured meats. A cry in ecstasy is somewhere within me.
After a long day of pasta made by hand and more wine and strangers inviting me to their table and then limoncello, I walk home to my room. I am drunk on the connection. I film the walk, then stop. I do not want to capture everything; some things just exist between me and the earth. I won’t share.
My room is called Parthenope. It is etched into the wooden door. When I open the door, that is the threshold, the portal. Parthenope is a siren who lives on the coast of Naples. I imagine her body clinging to the continental shelf, her hair entwined in shell. They say she threw herself into the sea when she couldn’t please Odysseus with her siren song. Or maybe a centaur fell in love with Parthenope, only to enrage Jupiter, who turned her into Naples. The centaur became Vesuvius, and now they are forever linked — by both love and rage. Is that not humanity?
She became Naples. She became forever. Her essence is water, is earth, is the mythology of what happens when people are cruel and jealous and oppressive. Is this the message the sirens are singing? To be tolerant? To normalize cruelty? To fill the void with empty media, with images without stories?
There is always something that could destroy us, could rid us of this existence. A virus, a volcano, our own hands.
We are temporary, so quick and light and flimsy. We are but a stitch of fabric. A dream within a dream of that fabric. And yet. Here we are, becoming the ancients, carving out a way toward the future. We visit volcanos. We mythologize the earth. We drink wine and capture beauty. But then we turn our backs — on the proverbial garden, on one another, on our own bodies.
What if the earth is asking us to be better? To be still? What pose would we hold? What shape could let all the light in?
LISA MARIE BASILE is the founding creative director of Luna Luna Magazine, a popular magazine & digital community focused on literature, magical living, and identity. She is the author of several books of poetry, as well as Light Magic for Dark Times, a modern collection of inspired rituals and daily practices, as well as The Magical Writing Grimoire: Use the Word as Your Wand for Magic, Manifestation & Ritual. She's written for or been featured in The New York Times, Refinery 29, Self, Chakrubs, Marie Claire, Narratively, Catapult, Sabat Magazine, Bust, HelloGiggles, Best American Experimental Writing, Best American Poetry, Grimoire Magazine, and more. She's an editor at the poetry site Little Infinite as well as the co-host of Astrolushes, a podcast that conversationally explores astrology, ritual, pop culture, and literature. Lisa Marie has taught writing and ritual workshops at HausWitch in Salem, MA, Manhattanville College, and Pace University. She is also a chronic illness advocate, keeping columns at several chronic illness patient websites. She earned a Masters's degree in Writing from The New School and studied literature and psychology as an undergraduate at Pace University. You can follow her at @lisamariebasile and @Ritual_Poetica.
11 Valentine's Day dates for badass witches
Stephanie Valente lives in Brooklyn, NY. She has published Hotel Ghost (Bottlecap Press, 2015) and waiting for the end of the world (Bottlecap Press, 2017) and has work included in Susan, TL;DR, and Cosmonauts Avenue. Sometimes, she feels human. http://stephanievalente.com
I’m Getting Married & I Can’t Stop Thinking About Death
Kailey Tedesco's books She Used to be on a Milk Carton (April Gloaming Publications) and These Ghosts of Mine, Siamese (Dancing Girl Press) are both forthcoming. She is the editor-in-chief of a Rag Queen Periodical and a performing member of the NYC Poetry Brothel. Her work has been nominated for the Pushcart Prize. You can find her poetry featured or forthcoming in Prelude, Prick of the Spindle, Bellevue Literary Review, Vanilla Sex Magazine, and more. For more information, please visit kaileytedesco.com.
These Valentines Are Hilariously Weird & Strange
Joanna C. Valente is the author of Sirs & Madams, The Gods Are Dead, Marys of the Sea, Xenos, and the editor of A Shadow Map: An Anthology by Survivors of Sexual Assault.
Read MoreRomance Macabre: A Film List For Darklings
Because love can be nightmarish at times…
Read MoreMotherhood & Love Post-Divorce
Lee Taylor is a writer, musician and light worker raising two children in Brooklyn, NY. She has an MFA in creative writing from The New School and spent the past six years living and blogging in Switzerland. Her essay “The Patron” was recently published in the inaugural print edition of Hofstra University’s literary journal, Windmill. She was also featured in the March issue of Bodega, an online literary magazine.
Read MoreHow Have I Survived this Long on Planet Earth?
You’re gone, which is fine. After I dropped you at the airport on Sunday I went home. I felt pretty proud of myself for hanging up all of those fancy prints and artwork we’ve collected over the past few years. It sorta felt like I was my mom up there, standing on your recliner with a hammer. I had chicken in the crockpot. It was nice.
Read MoreShades of Noir: Gaspar Noe's Love
The Handshake by Becca Shaw Glaser
BY BECCA SHAW GLASER
Up close, he wasn’t as cute. He was older and plumper, and anyway, it all just felt so weird. When I first saw his profile earlier in the day I thought, Ooh, he seems like someone who wants a relationship. I was absolutely specifically not looking for a hookup, but as soon as we started typing, it became clear that’s what he was up for. His place turned out to be a bank converted to a condo by the Dean of Architecture. Everything was huge and austere, almost entirely white, with cathedral ceilings. Perfect, I thought.
Oct 5, 6:41pm
How do you feel
driving to meet a stranger,
naked under your skirt
knowing that you may be
seduced and taken and
fucked.
Conveniently he’d forgotten that I’d told him I would be arriving hungry and could he please feed me. After I reminded him he tossed canned clams and hasty pasta together, smashing garlic cloves with the side of a silver chef’s knife. I hung awkwardly by the granite island.
He had wanted me to wear heels but I didn’t own any. Boots? Yeah, I had tall black boots. He’d asked me to wear something that showed cleavage, and no panties, so I did. While I waited on the hard-backed chair, legs firmly closed, he plied white wine. I said No thanks. I knew I was supposed to uncross my legs so he could get a glimpse, but I didn’t even want to take off my long black coat, keeping it tightly buttoned.
Oct 5, 6:41pm
Wet with anticipation?
When the food was ready we sat at one end of the stark maple table. Half-chewed worms poured from our mouths as we discussed the economy of desire, the poststructuralist concept of sexual exchange—really it’s a handshake, we agreed, a Marxist solidarity. He said In those days they used to think women so lusty the husbands made them wear metal plates when they were away to stop them from fucking half the village. And I hate it now—for men it’s like supposed to be a conquest and the woman’s supposed to be pushing away, keeping her number low. I was impressed by his awareness of gender and sexuality, but I still felt so timid that even sitting next to him on the couch felt scary. Our voices were tinny, floating around under the white cathedral ceilings and getting lost.
When he took off his clothes in the bedroom he was glazed in ginger fir, pale skin flecked with large pink freckles, each candied with a hair, long strands piercing out of his pubis, and I realized I was repulsed. How unfair and fucked up of me, I thought, to be so political in my preferences. He devoured my vulva, he was good at it, it’s a skill, I shut off the top of my head. Looked out the enormous arched window. Can anyone see?
Oct 5, 6:43pm
Nervous. Also,
I’m kind of lost.
He told me his favorite was to be with female CEOS, older women who were used to being in charge, he loved when they became submissive with him, let themselves go. And he loved being the odd-male out with a male-female couple. He liked going to truck rest-stops and having his dick sucked by another dude, most straight-identifying, of course, or sucking other guys’ dicks through those glory holes. I loved hearing the stories. I loved thinking there are younger guys out there who get off on giving older women pleasure, because, I’m getting older. I wished for a world where I could feel safe being so sexually adventurous, not terrified of rape, disease, or being considered a slut.
Oct 5, 6:44pm
Oh. We don’t
have to do this,
you know.
He stuck his fist partly in, and I was opening on his cool white sheets under his white down comforter against his vanilla-stained Ikea headboard in his white marble flat but I didn’t want to suck his small pink dick or even kiss his lips which I felt bad about and thankfully he didn’t pressure me at all but I think it was pretty obvious and then when it was clear I couldn’t or wouldn’t cum, Want to watch me? he slid his hand over his penis moving silently until white spurted out. I tried to at least touch him a bit while he was touching himself but the truth is I didn’t really want to.
After the shirt got tucked back into the jeans, after the zipper on the black dress was zipped up again, my still-wet vulva bristling between my thighs, my curly hair tangled, my breasts pulsing with the sensation of stranger-touch, after I shut the door to his white world firmly with a thud behind me, the first thing I wanted to do was see my lover, the lover who can’t be in a real relationship, the lover who gave me permission to try to find one. Not even in my car yet, I dialed, and surprisingly he picked up, said Sure, come over—and it was almost like coming home, to his soft gorgeous body, the body I’m bonded to, he was stretched out on his tiny bed, books and clothes chaotically strewn everywhere, small piles of trash that for some reason he sweeps into a corner and then leaves for weeks, he was watching Baron Munchausen, being uncharacteristically silly. He knew where I’d been. It didn’t bother him. In fact he liked the look of the dress, too, the way it clung to my breasts, pushing them together. I dropped my black shoulder bag and pressed my mouth to his.
Becca Shaw Glaser is the co-editor and author of “Mindful Occupation: Rising Up Without Burning Out.” Her writing has also appeared in Mad in America, Black Clock, H.O.W., Two Serious Ladies, Birdfeast, The Laurel Review, Quaint, and Lemon Hound, among other publications.
The Night We Didn’t Fall In Love
A female body in mom jeans looks at a water color of Bianca Stone’s depicting the three fates. Only one faces us and says in her speech bubble, “I’m filled with rooms I’ve never seen before.” It hangs in my living room. I am the female body, a room I see so much of I don’t see it at all. I see it so little that I’m usually digging my nails into my skin in order to get anything practical done without overwhelming anxiety. How do I get this out of the room? I got Netflix binge-streaming House of Cards to distract me from my loneliness and this. I miss something I’ve never had, stupid saudade. How much of the wine bottle has been drunk and will it get me to the end of the night?
Read MorePolyamory Commands Intimacy, Not Just a Fling
BY GHIA VITALE
This piece is part of the Relationship Issue. Read more here.
As someone who has been polyamorous for seven out of the 11 years I’ve been with my partner, I can say with utmost certainty that polyamory is not an experiment for me.
It is the path in life my heart wandered down and never turned back. And suddenly, the mainstream dating world knows about polyamory. Now that I can simply check off the “polyamorous” box in an OkCupid profile, I am still hesitant to dip my toe into the icy waters of online dating.
One of their most recent additions is a feature that allows you to link your account to a partner’s account in order to let users know whom you’re currently dating on the site. It’s actually no better than how Facebook only lets you be in one relationship. In other words, to Hell with the rest of your lovers if you’re poly because according to these websites, only one of them is worth mentioning. The threesome requests were frequent enough when I confessed that I was bisexual in my profile. I’m worried that no matter how much I stress that I’m not looking for flings, that’s all others seem to want me for. That’s how it went in the past, anyway.
One of my biggest hang-ups about poly dating is the same issue other experienced poly people struggle with: the risk of becoming collateral damage in someone else’s quest for self-discovery, novelty, freedom, and most importantly, love. A recent spike in popularity has saturated the poly community with widespread interest. That means the poly-curious population is increasing. While that might mean there’s more to love, it also means there’s more people there to mess it up. Many newbies embark upon their poly journey with pure intentions; others mistake our permanent lifestyle for whatever they wish would fulfill their temporary and misguided desires. How do I know their desires are misguided? I know this because I’ve been directly implicated in these personal quests for self-fulfillment that end in nothing except breakups.
I let everyone know that polyamory is the only way I roll. While people are more than happy to enjoy my company as a fling, the idea of having multiple significant others that are actually significant is beyond most people’s comprehension and it seeps through their behavior. Once I let them know there’s zero chance of a monogamous future happening (or even a monogamish one), the tone of our interaction change drastically. All of the sudden, our relationship is no longer headed in any kind of committal direction and I lose my viability as a “serious” partner whom they envision a future with. Don’t get me wrong; I’m not pressing for commitment before it’s appropriate. I’m all about free love and I believe each relationship being a unique expression of love. But even though we’ll both claim we want poly relationships, I’m the only person who means it. What they actually mean is that they want to indulge in multiple relationships at once without strings attached. That’s fine, but that’s not polyamory.
It’s always different variations of the same scenario: I meet someone who claims to be poly-curious, poly-friendly, or “open to being with a poly partner.” Then they realize they’re not as poly as they thought they were, that they just wanted to date around and explore before meeting a monogamous partner. Whether or not I consented to this involvement never mattered, so I’ve learned how to recognize the unique smell of this trainwreck smoke so I don’t have to stand the heat later on. I understand that these people usually mess up because they don’t know better. As the person who’s actually poly, I basically have to be the person who knows better. It just sucks to become seriously invested in someone because they seemed to say the right things at the right times and gave you the impression that polyamory was a long-term consideration for them. It no longer felt like a carpet being pulled from beneath me once I developed a healthy sense of paranoia about it. Even educating these people about poly doesn’t seem to make them go back into the hookup culture that better suits their yearnings.
Polyamory is about maintaining multiple relationships, not just the freedom to have as many flings. Too many people enter polyamory with the “playing the field” mindset. They’re more than happy to practice polyamory, but never actually be polyamorous. If they were actually living polyamory as opposed to practicing it, they would see polyamory as a part of their future rather than a quick fix. That’s just the problem: They don’t see polyamory as a part of their future. They only see polyamory as a situational means to their temporary ends. Yes, polyamory absolves you from having to choose 1 person over another, but there’s so much more to it than that. Polyamory is far more about building and maintaining connections than it is about driveby romances and hooking up.
As a polyamorous person, I want more than a good time. I want love.
Ghia Vitale is a writer from Long Island. She graduated from Purchase College with a BA in literature as well as minors in psychology and sociology. She has written for Ravishly and Quail Bell Magazine.
That Time I Went on Vacation with Someone I Barely Knew
But when you’re in your early twenties and on the kind of quick rebound Serena Williams might appreciate, you think differently. I had recently come back from a Midwest breakup with a long-distance boyfriend. Several gallons of ice cream later, I was still feeling empty. It was springtime, and the idea of getting through the approaching summer on my own wasn’t something I wanted to do.
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